By Cyber Film School
Starting out in this business is tough. Producers risk enough just making a movie, never mind taking chances on some newbie disrupting the set, causing delays, unknowingly insulting a crew member, or breaking something they shouldn’t be touching. But somehow, either through talent, persistence, connections, or all three, your lucky break comes along. How you do on this first gig may get you the next one.
If you follow a few common-sense tips, it’s not that hard to build a good reputation from the start.
There’s a very clear chain of command on set. Make sure you understand who reports to whom, how the departments are set up, exactly where you fit in and what is expected of you. Know your way around the set, and what is off limits for your job description. Always ask permission when leaving set. Listen up for the Assistant Director’s commands at all times, and quiet means absolute quiet. No footsteps, no whispering, no coughing, no sneezing. Silence. If you ruin a take, it’s game over.
Most producers agree that a positive attitude and willingness to learn is number one on this list. But when you’re overworked and doing a repetitive job it’s easy to get nervy, start complaining and get grouchy. Beat this temptation with a smile and upbeat mood, and you win the respect of co-workers.
If you’re asked to do something extra or make unexpected changes to a plan, don’t argue. Stuff happens. Cooperate. Make the changes quickly and in a pleasant manner.
Keep focus on the job and always find something interesting about what you’re doing. Keep your phone in your pocket and off, don’t read non-work material. If you’re not busy for short periods, stay interested in what’s going on around you. Ask if you can help.
This applies to any job but in film, where budgets are high, every single moment is money. NEVER, EVER BE LATE!
In fact, to make a great first impression, be 15-minutes early and ask if there’s anything that needs to be done. This will get you noticed, especially in the morning when crew is a bit grumpy and could use some help.
Don’t talk politics, sex or religion – these topics can be highly controversial and can easily offend. Be extra careful with jokes. Not everyone shares your wit.
Don’t network or promote yourself openly in front of others. This can give rise to jealousy and competitiveness. If you don’t have a crew list with phone numbers get one from the AD. Nothing wrong with following up with people once the project is over.
Dress appropriately for your job. If you’re a PA, don’t show up on set wearing an Armani suit. Hygiene is also extremely important, especially on a crowded set. Show up clean – you never know when you’ll wind up with an unplanned 16-hour day.
Many entry level positions ask you to take on the extra load from other jobs. For example, a Production Assistant on one project may be doing entirely different tasks on the next. The PA may be logging time code, keeping continuity notes or driving around for stuff. Be prepared for anything. Find out what you’re supposed to be doing on this particular job. Once you know exactly what is required, make sure you are able to do it and can give it your 100%.
Owning the following is really helpful: car, drivers license, resume, business cards.
Everyone is a would be director with some project about to happen. On the set, it gives the impression you’re not interested in or value your current job.
Seriously. Ask someone on a date after the project wraps and not during. Did we say seriously? No explanation needed on this one!
Here’s a way to make a terrific impression. When the day is over, don’t jump in your car and split. Stick around a bit and ask if anyone needs anything.
Don’t avoid wrap parties or events but understand that a party is how film people network. Don’t go there to get wasted. Parties provide a great opportunity for you and co-workers to get to know each other better.
This point provides long term value rather than short. Treat everyone with respect and kindness be they actors, grips, directors or production assistants. You may not feel this respect in return immediately. You earn it over time. Treat people well and you’ll attract others of the same heart, and find yourself soon working on projects with friends who respect you as much as you do them.
Did you screw up something important? Whatever you did wrong, admit it now! Believe it or not, people will respect you for having the strength to fess up. After all, you have the greatest excuse in the world – it’s your first film job and you’re learning!
The reality is that most producers don’t get paid right away. Expecting a pay cheque immediately makes you look green, desperate and unprofessional. Send producers an invoice and wait the standard 30-days, unless your due dates are agreed upon differently. If money hasn’t been received after the due date, a polite phone call usually gets results.
While talking about money, negotiate overtime rates and mileage up front and remember to invoice anything extra work you do (even if the production company doesn’t wind up paying they’ll be aware of the additional work or resources you provided).
If you open it, close it. If you turn it on, turn it off. If you unlock it, lock it up. If you break it, admit it. If you can’t fix it, call in someone who can. If you borrow it, return it. If you value it, take care of it. If you make a mess, clean it up. If you move it, put it back. If it belongs to someone else and you want to use it, get permission. If you don’t know how to operate it, leave it alone. If it’s none of your business, don’t ask questions. If it ain’t broke, don’t fix it. If it will brighten someone’s day, say it. If it will tarnish someone’s reputation, keep it to yourself.
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© 2017 Cyber Film School